Mae Martin acknowledges the potential perplexity surrounding the events in Tall Pines, the fictional Vermont village at the heart of the new Netflix series “Wayward,” which Martin conceived, scripted, and stars in. Questions arise, such as the cryptic statement by the composed leader Evelyn Wade (Toni Collette) to the adolescents at Tall Pines Academy about a “door in their mother’s mouth.” Additionally, Alex Dempsey (Martin) witnesses his pregnant wife, Laura (Sarah Gadon), mysteriously sleepwalking into the lake shortly after returning to Tall Pines, Laura’s hometown. The students at the school insist on hidden malevolent activities, while Canadian teens Abbie (Sydney Topliffe) and Leila (Alyvia Alyn Lind) take action.
The show’s tone may confound viewers as Martin, known for lighter roles, delves into a darker narrative with “Wayward.” The series swiftly climbed to the top spot in Netflix’s global TV category for English series following its debut after premiering at the Toronto International Film Festival. Amidst this success, “Wayward” showcases its Canadian roots prominently, contrasting with the subtler approach of “Kpop Demon Hunters.”
“Wayward” showcases the stories of newcomers Alex, Abbie, and Leila in the peculiar town of Tall Pines. Alex, a transplanted cop with a troubled past, navigates challenges in the town, while Abbie and Leila uncover unsettling truths at the school they are sent to. The series emphasizes Canadian identity, occasionally bordering on overemphasis, distinguishing itself in the saturated genre landscape.
Despite its Canadian-centric approach, “Wayward” struggles to stand out in the supernatural thriller genre dominated by shows like “Stranger Things.” Martin deftly leaves mysteries unresolved, crafting an unsettling atmosphere that captivates viewers. The show’s exploration of intimacy as horror aligns with modern thematic trends in the entertainment industry.
While “Wayward” boasts strong performances from Martin and Collette, the narrative feels disjointed at times, with potential left untapped. The series offers glimpses of brilliance, particularly in its poignant conclusion, hinting at future promise if given the opportunity to expand further.
In conclusion, “Wayward” is a promising debut from Martin, with room for growth and refinement in potential future seasons or projects. The supernatural thriller, while not yet reaching greatness, showcases the creative talent behind it and sets the stage for further development.
