Clement Virgo approaches his latest film, “Steal Away,” with a mix of nerves and hope, a departure from his previous acclaimed works like “The Wire” and “The Book of Negroes.” The Canadian director, in collaboration with his wife Tamara Faith Berger, embarks on a bold new venture, reimagining the Underground Railroad narrative in a futuristic setting.
“Steal Away” diverges from traditional portrayals of enslavement, focusing on the characters of Cécile and Fanny in a futuristic world reminiscent of both the Antebellum South and modern times. The film weaves together themes of coming-of-age, thriller, horror, and Afrofuturism, creating a complex and visually striking narrative.
Virgo’s deliberate blending of historical parallels, from slavery to colonialism, aims to evoke reflection on the cyclical nature of progress and setbacks in society. Through “Steal Away,” he questions the permanence of progress and highlights the resilience needed to drive positive change into the future.
Despite the film’s intricate layers and ambitious storytelling, Virgo remains optimistic, emphasizing the importance of perseverance and pushing forward in the face of challenges. “Steal Away” challenges viewers to engage with its thought-provoking themes and serves as a testament to the enduring spirit of resilience in the pursuit of a better future.
